#8 Karkala

Chapter 7 — Photograph

And thus begins Chapter Seven.

Now, children.

The tag had been acquired.

The assignment had been

technically

completed.

Stitch had photographs.

Sharky had considerably fewer joints than when we began.

Axe and I had survived the Stair Nation.

And somewhere on a cliff,

two classmates had spent a sunset discovering that they rather liked talking to each other.

The council nods.

Time to go home.

Sharky found the bus.

I followed Sharky.

Sacred transportation protocol maintained.

We boarded.

And children

I claimed the window seat.

The council gasps.

Without battle?

Without battle.

No Axe Ultimatum.

No Rock Paper Scissors.

No treaty.

That particular war belonged to the future.

At this point,

I simply sat down beside the window.

My natural habitat.

Headphones ready.

Road waiting outside.

And then I waited for Sharky.

The council watches the aisle.

Because obviously Sharky would sit beside me.

That was the arrangement.

Friend.

Dealer.

Travel companion.

Simple.

Except

Sharky did not appear.

Axe did.

The council pauses.

Axe?

Axe.

She walked over.

Sat beside me.

Children.

At the time,

I thought very little of this.

Maybe Stitch wanted to sit with Sharky.

Maybe Axe wanted that seat.

Maybe everyone had simply sat wherever.

University Nuo did not possess the necessary intelligence gathering to understand what had just happened.

The council leans forward.

Present Nuo does.

Years later,

I would discover the missing information.

Axe had developed

a tiny crush.

The council gasps dramatically.

On whom?

Children.

Please.

On me.

The council looks confused.

Understandable.

Apparently somewhere between

Bite me.

Haha that statue is naked.

Rain would be nice.

The cliff.

The sunset.

And whatever conversations history has since erased

Axe had looked at University Nuo and thought:

Hmm.

The council opens her file.

AXE STATUS:

ALSO HMM.

Exactly.

And she had told Stitch.

The council turns slowly.

Stitch.

Who then told

Sharky.

The council gasps.

The dealer knew?

The dealer knew.

Children.

Information had moved through the party

while the subject of said information remained entirely oblivious.

Stitch and Sharky,

upon discovering that Axe liked me,

did what any responsible friends would do.

The council becomes nervous.

Conspired.

The council erupts.

MATCHMAKING OPERATION.

Yes.

They decided

apparently without consulting either primary idiot

that Axe and Nuo should happen.

So when we entered the bus,

the seating arrangement was not random.

Sharky did not accidentally fail to sit beside me.

Stitch did not coincidentally end up elsewhere.

Children.

The board had been arranged.

Pieces moved.

Trap prepared.

And Axe sat beside me.

The council applauds the conspiracy.

Did you notice anything?

Absolutely not.

Children.

I had a window.

My observational capacity for social manipulation had been reduced to zero.

The bus began moving.

Karkala slowly slipping behind us.

And I did what I always did when given a window seat.

I stared outside.

The council watches.

Headphones on.

Music.

Road.

Passing buildings.

Trees.

Sky changing as evening deepened.

And there sat University Nuo,

looking out of a bus window like the melancholic protagonist of a film nobody had asked to make.

The council sighs.

Did you at least know Axe had a crush on you?

No.

Did you know you had spent an entire day developing one on her?

Barely.

Did you understand that two people behind you were probably monitoring the success of their little operation?

Children.

I was watching trees.

The council collapses.

Excellent protagonist.

Now.

Time passed.

The bus rocked gently.

The day’s exhaustion began collecting its debt.

Remember

we had climbed.

Walked.

Explored.

Sat.

Walked more.

Smoked.

And spent the entire day existing under the pressure of an assignment we had remembered approximately five minutes before catastrophe.

The council nods.

Axe grew tired.

Eventually

she fell asleep.

The council grows quiet.

At first,

nothing.

Then the rhythm of the moving bus shifted her slightly.

Her head tilted.

Slowly.

Until

shoulder.

Mine.

The council smiles.

Axe’s head rested against me.

And children

I noticed.

Of course I noticed.

There are limits to my obliviousness.

I looked down.

There she was.

Asleep.

Comfortable enough not to wake.

And for perhaps a moment,

I remained completely still.

The council waits.

Then

I rested my head on hers.

The council grows very quiet.

And we slept.

Just like that.

No conversation.

No:

Is this okay?

No dramatic declaration.

No kiss.

No hand holding.

No relationship.

Two exhausted classmates

leaning against each other

while a bus carried them home.

Children.

Simple.

Except

this is another one of those moments that became larger only because time kept going.

The council leans forward.

Because the pose?

That exact pose?

Survived.

The council smiles.

Axe’s head on my shoulder.

Mine resting gently against hers.

Close.

Comfortable.

Quiet.

Children.

It would happen again.

And again.

Different places.

Different days.

The context would change.

Classmates would become something else.

But the posture remained.

A tiny physical language.

The sacred pose.

The council records the title ceremonially.

And here

on a bus returning from Karkala

was the first one.

Neither of us knew.

Of course.

Nothing announces:

THIS GESTURE WILL BECOME RECURRING LORE.

You just get tired.

Someone’s shoulder is nearby.

You lean.

They lean back.

Done.

The council nods.

Only later does repetition turn an accident into ritual.

And apparently

we were not the only people who noticed.

The council glances behind us.

Stitch.

Children.

The photographer.

The woman assigned to document Karkala had found a different subject.

At some point while Axe and I slept,

she took a photograph.

The council smiles.

Not a blurry phone snap.

Not some awful zoomed in evidence of two people drooling on each other.

No.

Children.

Credit where credit is due.

Stitch knew how to use a camera.

Professionally framed.

A proper photograph.

Axe and me.

Asleep.

Her against my shoulder.

Me against her head.

Two completely exhausted idiots.

Comfortable.

Wholesome.

Oblivious.

The council grows quiet.

And I didn’t know the photograph existed.

Not then.

I was asleep.

The bus continued.

Karkala became road.

Road became distance.

Distance became

Fast Travel.

The council nods.

Though this time,

not the solitary blackout protocol.

Shared Fast Travel.

The Sacred Pose Edition.

Eventually,

the bus arrived.

University.

People woke.

Bags moved.

Everyone disembarked.

And just like that

the expedition ended.

No big goodbye.

No romantic climax.

No:

Today changed everything.

Children.

We dispersed.

Everyone went home.

That was it.

The group project had happened.

We had gone to Karkala.

Seen architecture.

Photographed enough of it to theoretically produce an essay.

Made several academically rigorous observations about nudity.

And returned.

The council closes the file slightly.

Then

my phone.

Message.

Stitch.

A photograph.

The council leans forward.

I opened it.

And there

Axe and me.

Sleeping.

The council smiles.

Children.

Cute.

There is no other word.

A genuinely cute photograph.

Not posed.

Not planned.

Neither of us performing for the camera.

Just two tired people who had somehow found a comfortable arrangement

and stopped resisting gravity.

I looked at it.

Probably smiled.

The Archive remembers that much in feeling if not exact sequence.

Because photographs do something memory cannot.

Memory edits.

Moves.

Fades.

Years pass and suddenly you cannot remember which person stood where,

what shirt you wore,

whether the light was warm or cold.

But a photograph says:

No.

Here.

This happened.

Exactly like this.

The council grows quiet.

And Stitch,

without knowing it,

had archived something important.

Not merely a bus ride.

The first Sacred Pose.

Perhaps the first photograph of Axe and me that actually looked like

us.

Not future us.

Not boyfriend and girlfriend.

Not some destiny nonsense.

Just the earliest version.

Two classmates who had started the day as members of the same project group

and ended it comfortable enough to fall asleep against each other.

The council nods.

That is what I like about the photograph.

It does not need the future to justify it.

Even if nothing had happened afterward,

it would still be a nice photograph.

A good day.

A beautiful place.

A new friend.

A stupid joke.

A sunset.

A bus ride home.

Children.

But things did happen afterward.

Which means Present Nuo can look backward and recognize the little pieces.

The Stair Nation put us behind together.

Shared misery became conversation.

The naked statue produced the first spark.

The cliff produced comfort.

The sunset gave us time.

Stitch and Sharky supplied conspiracy.

And the bus

the bus gave us the pose.

The council laughs softly.

Not bad work for an assignment we forgot for a month.

Exactly.

Academically irresponsible.

Narratively excellent.

Now.

Children.

This is where a normal origin story might end.

Freeze on the photograph.

Soft music.

Narrator says something like:

And that was how Axe and I began.

Credits.

The council begins standing.

Sit down.

The council freezes.

Because no.

This is the Unbegun.

There is one more chapter.

The council slowly sits.

A post credit scene.

Because while Karkala had already done enough

there was still the actual assignment.

The council remembers.

Oh.

Right.

The essay.

Yes.

Children.

The reason any of this happened in the first place.

We had gone to Karkala to document what we saw

and write an essay about it.

We had documented.

Sort of.

We had observed.

Technically.

We had returned.

And now

four university students who had delayed an entire month

still had to produce something worthy of submission.

The council becomes afraid.

So no.

The Wandering does not end with the Sacred Pose.

Not quite.

But this chapter does.

Thus concludes Chapter Seven.

The Seating Conspiracy.

The Secret Crush.

The Melancholic Window Protagonist.

The Sleeping Axe.

The Sacred Pose.

And The Photograph.

Children.

Years later,

I would learn that Axe sitting beside me had not been an accident.

Stitch and Sharky had quietly moved the pieces.

But the rest?

That part happened by itself.

She fell asleep on my shoulder.

I rested my head against hers.

Stitch preserved it.

And somewhere on that bus,

without ceremony,

another little ritual was born.

One that somehow survived all the way to the present.

The council looks toward the final page.

And now

the post credit scene.

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